Reviews vom 8.12.2015
London
Weitere „Cavaleria-/Pagliacci“-Reviews
Cavelleria Rusticana & Pagliacci @ Royal Opera House, London
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Cavalleria rusticana and Pagliacci, Royal Opera House, London — “Gripping’
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Cavalleria rusticana & Pagliacci (Royal Opera House)
Opera’s dysfunctional twins in a stunning new Covent Garden production
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Iestyn Davies and Allan Clayton, Wigmore Hall, review: ’sensitive and imaginative‘
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Navigating a way out the labyrinth: Andris Nelsons in Zimmermann and Bruckner
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Edinburgh
Scottish Ballet: Cinderella review – sumptuous and spellbinding
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New York
Review: “Die Fledermaus’ in Full, a First Under the Baton of James Levine
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Mireille Asselin steals the show in Met’s “Fledermaus”
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Review: Tara Erraught, Out of the Frying Pan and Into a Tranquil Recital
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Cleveland
Cleveland Opera Theater alights on right track with ‚A Streetcar Named Desire‘ (review)
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Washington
Frenetic but fun: Septime Webre’s Nutracker for the Washington National Ballet
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Dallas
The Giving Season
The Dallas Opera ends its groundbreaking year of new works on the nice list with Mark Adamo’s kaleidoscopic Becoming Santa Claus.
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Houston
A charmed Little Prince at Houston Grand Opera
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Reviews vom 7.12.2015
Florenz
Verdis „RIGOLETTO“ im Opernhaus Florenz: Verdis Welt der Narren
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Stuttgart
Kretschmann ehrt Ballett-„Glücksfall“ Tsinguirides
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Es gehört Mut dazu, sich zu präsentieren“
Kammersänger Peter Schreier erzählt von seinen Anfängen im Dresdener Kreuzchor und erklärt, wie man eine lange Sängerlaufbahn sinnvoll plant – und welche Ziele er in seinen Meisterklassen verfolgt.
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Iran
Dirigent Alexander Rahbari über „Frauen im Orchester“
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Budapest
Opera review: L’Incoronazione di Poppea at Budapest’s Mupa concert hall
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Paris
Wheeldon/ McGregor/ Bausch review – a happy birthday bash for Boulez
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London
Cavalleria rusticana and Pagliacci; Zazà; Bournemouth SO/ Karabits; Arensky Chamber Orchestra – Review
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New York
Marina Abramovic and Igor Levit’s Variation on „Goldberg’ Will Make the Audience Earn Its Bach
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Washington
The Washington Ballet’s bro-friendly „Nutcracker’
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Chicago
Vorschau
Guerrilla theater: Current events make Lyric Opera’s „Bel Canto“ a timely premiere
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Dallas
Review: Dallas Opera gives „Becoming Santa Claus’ world premiere
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Sidney
Old masters of opera music matter, too
„Opera Australia receives 19 per cent of its total budget from the federal government and it is not possible to present a representative program of great masters and modern classics at the highest level for reasonable ticket prices under those circumstances.“
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Reviews vom 6.12.2015
Paris
Review: The Paris Opera Ballet, Under New Management
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London
Weitere „Cavalleria/Pagliacci-Reviews“
Cavalleria rusticana/Pagliacci, Royal Opera House, review: Superb casting and choruses create triumphant evening
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Cavalleria Rusticana/Pagliacci at the Royal Opera House – “mixed values’
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Mascagni / Leoncavallo : Cavalleria rusticana & Pagliacci / Royal Opera, 3rd December 2015
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Five of the best ballet and dance shows for Christmas 2015
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New York
Lyric Opera Seeks to Reassure Patrons Over a Work that Mirrors the Terror Out There
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Sidney
Rarität von André-Ernest-Modeste Grétry
Review: L’Amant jaloux (Pinchgut Opera)
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L’Amant Jaloux review: Pinchgut Opera plays lovers‘ tiffs for laughs
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Review: Messiah (Sydney Philharmonia Choirs)
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Reviews vom 5.12.2015
London
Cavalleria Rusticana and Pagliacci, Royal Opera House, review: ‚uplifting‘
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Cavalleria Rusticana / Pagliacci, opera review: Blood and Passion
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Cavalleria Rusticana/Pagliacci review – ravishing sounds and detailed naturalism
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Philharmonia/Salonen review – a highly persuasive Performance
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Andreas Haefliger, Wigmore Hall, review: ‚quiet beauty and thundering power‘
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New York
Nadine Sierra makes a beguiling Met debut in „Rigoletto“
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Review: In „The Rape of Lucretia,’ a Woman Done In by Self-Blame
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Chicago
‚Bel Canto‘ to Premiere on Chicago Lyric Opera Stage
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Washington
Washington National Opera: American Opera Initiative: Three 20-Minute Operas
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Tokyo
The Mariinsky’s Romeo and Juliet in celebration of Natalia Makarova
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Reviews vom 4.12.2015
Amsterdam
Song of Norway… and Sweden: Lisa Larsson at the Concertgebouw
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London
Damiano Michieletto: ‚Being booed is not an honour‘
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Messiah review – the virtues of Anglican choral tradition at its best
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Watch the opening scene of the Royal Opera House’s Król Roger – Video
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New York
City Opera Plan Moves Forward
New York City Opera’s bankruptcy case will move forward with a plan to pay creditors
http://www.wsj.com/articles/city-opera-plan-moves-forward-1449103787
Review: Vivaldi’s „Catone in Utica’ Gets a Rare Staging
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Dallas
Dallas Opera’s Inaugural Institute For Women Conductors Under Way
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Sidney
Pinchgut and co: the pocket-sized companies keeping opera interesting
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Reviews vom 3.12.2015
Buch über Franz Schubert
Ian Bostrigde über die „Winterreise“
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Stuttgart
Modern terror: new production of Salome in Stuttgart
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Venedig
Tate’s masterful conducting of Idomeneo opens new season at La Fenice
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London
Bejun Mehta/La Nuova Musica review – a countertenor with few peers
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Messiah review – the virtues of Anglican choral tradition at its best
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Lang Lang, Royal Festival Hall, review: ’nice programme, pity about the pianist‘
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Chicago
“Beyond the Aria” returns with fine artistry in problematic acoustic
Thomas Hampson performed at the “Beyond the Aria” program Tuesday night at the Harris Theater.
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Marin Alsop scores an auspicious debut with the CSO
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Feuilleton
Bondy-Nachruf in der NYT
Luc Bondy, Swiss-Born Theater and Opera Director, Dies at 67
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Inside Vivaldi’s opera arias
Soprano Roberta Invernizzi talks to Lindsay Kemp about extreme vocal virtuosity
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Reviews vom 2.12.2015
London
Xian Zhang makes conducting history as first woman to have titled role at a BBC orchestra
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Review: „The Two Pigeons,’ Frederick Ashton’s Look at Love
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San Francisco
San Francisco Opera Reports Cast Changes for CARMEN and DON CARLO This Summer
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Rossini’s BARBER OF SEVILLE at S.F. Opera
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A Winning Barber And a Whimsical Seville at San Francisco Opera
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Feuilleton
Google Cultural Institute Puts Us All Onstage
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Reviews vom 1.12.2015
Zürich
„Praise to the Holiest“: Elgar’s great Gerontius at the Zurich Tonhalle
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Turin
Purcell’s Dido and Aeneas in Turin: Baroque astonishment and wonder
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London
Lang Lang and Philharmonic Orchestra, Festival Hall, review: ‚A virtuosic insult‘
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Ballet Cymru, Sadler’s Wells, dance review: Pure warmth from a company full of Emotion
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Birmingham
BWW Review: BIRMINGHAM ROYAL BALLET’S THE NUTCRACKER Creates Christmas Magic in BIRMINGHAM
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Boston
Boston Ballet’s dazzling, dreamy „Nutcracker’
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Washington
„Catone in Utica’ by Opera Lafayette at The Kennedy Center
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The music of „Catone in Utica’ conquers the night
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Feuilleton
Music, Paris and Belief in Reason
http://www.wqxr.org/#!/story/music-paris-and-belief-reason/
Facing the music: Andreas Haefliger
The German-born Swiss pianist on vinyl’s resurgence, unforgettable Mahler and why he’s better off singing in his head
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