Reviews vom 31.1.2015
London
Can the English National Opera be saved?
ENO is in crisis. There must be a strong case now for dissolving the entire organisation, says Rupert Christiansen
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Henriette Götz to leave English National Opera
Mehr Info
New York
Carnegie Hall to offer a musical multitude in 125th anniversary season
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Houston
Floyd, Dvorák waiting in HGO wings
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San Francisco
San Francisco Ballet commences its 2015 season
http://bachtrack.com/de_DE/22/296/view/7010
Sidney
Review: Madama Butterfly (Opera Australia)
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Opera Australia cops the blame for the state of its art
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Bild- und Tonträger
Hasse: Siroe, re di Persia CD review – more bravura than refinement
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Reviews vom 30.1.2015
Prag
Review: Mefistofele at the State Opera
http://www.praguepost.com/night-day/44039-review-mefistofele-at-the-state-opera
Amsterdam
Jaroussky and Gauvin star in Steffani’s Niobe, regina di Tebe
http://bachtrack.com/de_DE/review-niobe-gauvin-jaroussky-amsterdam-january-2015
Madrid
The gracious magician: Ton Koopman conducts National Spanish Orchestra
http://bachtrack.com/de_DE/review-bach-mass-koopman-madrid-january-2015
London
Hagen Quartet review – Mozart celebrated with sparkling spontaneity Wigmore Hall, London
A series of concerts devoted to Mozart’s quartets kicks off with an exhilarating exploration of the boundaries of his writing
http://www.theguardian.com/music/2015/jan/28/hagen-quartet-mozart-wigmore-hall
New York
When They Cancel a Performance at the Met, There’s a Good Reason
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Boston
Andris Nelsons to lead BSO in Strauss opera “Elektra’
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London
Can the English National Opera be saved?
ENO is in crisis. There must be a strong case now for dissolving the entire organisation, says Rupert Christiansen
read more
Henriette Götz to leave English National Opera
Mehr Info
New York
Carnegie Hall to offer a musical multitude in 125th anniversary season
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Houston
Floyd, Dvorák waiting in HGO wings
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San Francisco
San Francisco Ballet commences its 2015 season
http://bachtrack.com/de_DE/22/296/view/7010
Sidney
Review: Madama Butterfly (Opera Australia)
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Opera Australia cops the blame for the state of its art
read more
Bild- und Tonträger
Hasse: Siroe, re di Persia CD review – more bravura than refinement
read more
Chicago
CSO’s 125th season to include a look back, another Asian tour and more standard repertory
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Phoenix
Arizona Opera announces 2015-16 season
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Los Angeles
Los Angeles Opera’s 30th season to begin with ‘Gianni Schicchi’
Mehr Info
Toronto
Opera Review: Mozart’s Don Giovanni falls hard under COC’s heavy hand and curtain
Mehr Info
Reviews vom 29.1.2015
München
Lucia di Lammermoor, Bavarian State Opera, Munich — review
Donizetti’s 17th-century love story is updated as a family saga in 1950s America
http://www.ft.com/cms/s/0/a660c308-a60f-11e4-9bd3-00144feab7de.html
Kopenhagen
Danish National Chamber Orchestra fights cuts by crowdfunding
Private donations and public support mean that this innovative orchestra will not be disbanded despite the loss of its state funding
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London
Far more than a fairy tale: Bartók’s Duke Bluebeard’s Castle at the Royal Festival Hall
http://bachtrack.com/de_DE/review-bluebeard-willard-white-komlosi-dutoit-january-2015
Bartok : Duke Bluebeard’s Castle / Royal Festival Hall, 27th January 2015
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LSO/Ticciati/Trpceski Review
Ravel glittered and Hosokawa glowed Barbican, London London’s most muscular orchestra sounded wonderfully delicat
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Austin
Review: Austin Opera’s “Romeo & Juliet”
http://arts.blog.austin360.com/2015/01/27/review-austin-operas-romeo-juliet/
Los Angeles
Placido Domingo teaming up with Woody Allen for L.A. Opera’s new season
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San Francisco
Opera review: ‘The Lariat’ skims over a ripe topic
http://www.sfgate.com/music/article/Opera-review-The-Lariat-skims-over-a-ripe-6043619.php
Sidney
Madama Butterfly review (Sydney Opera House)
http://dailyreview.crikey.com.au/madama-butterfly-review-sydney-opera-house/18024
BWW Reviews: Opera Australia’s Presents Puccini’s MADAMA BUTTERFLY
With Pared Back Simplicity
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Brisbane
Opera festival shifts base to Brisbane
HOBART’S boutique festival of baroque opera is migrating to Brisbane
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Berlin
So achtsam wie nie
Gedenkkonzert für Opfer des Holocaust. Die Berliner Philharmoniker spielen die „Violins of Hope” im Kammermusiksaal, Simon Rattle und Duncan Ward dirigieren.
Mehr Info
Selina Mai in “Mamma Mia” Musicalkarriere im Expresstempo
Mehr Info
Reviews vom 28.1.2015
Amsterdam
The joy of performing Falvetti’s Il diluvio universale
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London
Benjamin Grosvenor review – musical integrity and confident ambition Barbican, London
The former child prodigy, now 22, demonstrated impressive stamina and attention to detail at his debut Barbican recital
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Benjamin Grosvenor, Barbican, review: ‘crisp’
The 22-year-old pianist is a genuine talent of the old school, championing music that not everyone bothers to play today and doing so with impressive yet unflashy pianistic flair, says John Allison
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New York
Tweaking an Illustrious Tradition to Incorporate Western Notions
Mariinsky Ballet Concludes Brooklyn Run With Chopin
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Minneapolis
Minnesota Opera charms with ‘The Elixir of Love’
http://www.startribune.com/entertainment/music/289833621.html
St. Louis
Opera review: ‘L’amico Fritz’ is an enjoyable production of an operatic rarity
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Salt Lake City
TOSCA, AIDA, MERRY WIDOW and MARRIAGE OF FIGARO Set for Utah Opera’s 2015-16 Season
Mehr Info
Montreal
Samson et Dalila: Marie-Nicole Lemieux dominates an evening of unrequited expectations
http://bachtrack.com/de_DE/review-samson-dalila-lemieux-wottrich-montreal-january-2015
Melbourne
Public hearing gives Melbourne’s opera lovers a voice
Mehr Info
Reviews vom 27.1.2015
Prag
A cumbersome Mefistofele makes for a long evening in Prague
http://bachtrack.com/de_DE/review-mefistofele-kocan-prague-january-2015
Zürich
All about that soprano: Stemme’s Isolde in Zurich one for the ages
http://bachtrack.com/de_DE/review-tristan-isolde-stemme-zurich-january-2015
London
English National Opera rejects outgoing chairman’s claim of losses
Martyn Rose claimed £10m had been lost under artistic director John Berry, but ENO says it “does not recognise the figure at all’
http://www.theguardian.com/music/2015/jan/26/english-national-opera-rejects-loss-claims
Noch eine „Andrea Chenier“-Review
Revisiting “Andrea Chénier’
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Onegin, Royal Opera House, review: Vadim Muntagirov lifts this revival of John Cranko’s overwrought ballet
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LPO/Jurowski review – Stravinsky and Verdi rendered with precise synchronisation
http://www.theguardian.com/music/2015/jan/26/lpo-jurowski-review
New York
BWW Reviews: HOFFMANN is a Messy, but Enjoyable, Tale at the Met
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Chicago
Serjan’s sensational debut lifts Lyric’s bleak “Tosca”
http://chicagoclassicalreview.com/2015/01/serjans-sensational-debut-lifts-lyrics-bleak-tosca/
Opera review: Lyric Opera’s grim ‘Tosca’
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A substitute at Lyric Opera’s Tosca is a revelation
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Pittsburgh
Review: ‘Rodelinda’ a big success for Pittsburgh Opera
http://triblive.com/aande/music/7595479-74/opera-rodelinda-pittsburgh#axzz3Px0HWWWi
San Diego
‘La Bohème’ a rousing comeback for San Diego Opera
http://www.latimes.com/entertainment/arts/la-et-cm-san-diego-opera-20150126-story.html
San Diego Opera opens an improbable 50th anniversary season with La bohème
http://bachtrack.com/de_DE/review-boheme-miller-san-diego-opera-january-2015
Toronto
Miss seeing COC’s Don Giovanni at your peril: review
Director Dmitri Tcherniakov’s interpretation of a world of dysfunctional people and the Lord of Misrule is like nothing you’ve seen in your life.
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Melbourne
Vorschau
Carl Maria von Weber’s German Romantic opera Der Freischutz (The Marksman) returns to Melbourne
Mehr Info
Reviews vom 26.1.2015
London
Giordano’s Andrea Chenier and Rattle/Hannigan/LSO: Opera reviews
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Classical Opera @ Wigmore Hall, London
http://www.musicomh.com/classical/reviews-classical/classical-opera-wigmore-hall-london
1765: A Retrospective review – why we’re still mad about the young Mozart
A tribute to Mozart’s year in London as a child shed light on the composer’s uncanny genius
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Onegin, Royal Ballet, review: ‘an assured crowd-pleaser’
The opening night pairing of Marianela Núñez and Thiago Soares seemed, at times, to breathe as one, says Laura Thompson
Mehr Info
Royal Ballet: Onegin review
http://simonparrismaninchair.com/2015/01/25/royal-ballet-onegin-review/
Leeds
The Marriage of Figaro, Opera North, review: ‘exceptional’
This Opera North production is rich in charm, humour and vitality. For pure enjoyment, what more can opera offer? asks Rupert Christiansen
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Madrid
Here and now: Dudamel and the Simón Bolívar Symphony in Madrid
http://bachtrack.com/de_DE/review-dudamel-simon-bolivar-madrid-january-2015
New York
Seeking a New Way to Price Tickets at the Metropolitan Opera
http://www.wqxr.org/#!/story/new-way-price-tickets-metropolitan-opera/
Euphorically Embracing a Long-Missing
Soloist Maxim Vengerov Performs With the Philharmonic
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A violin lion in winter partners with a brilliant young colleague at Carnegie Hall
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Chicago
Muti, CSO soar in Russian music of art and war
http://chicagoclassicalreview.com/2015/01/muti-cso-soar-in-russian-music-art-and-war/
San Diego
San Diego Opera opens lively ‘La Boheme’
Director Isabella Bywater focuses on keeping Puccini’s masterpiece real
http://www.utsandiego.com/news/2015/jan/25/san-diego-opera-boheme-review/
Houston
Houston Grand Opera’s ‘Butterfly’ is a vocal, dramatic feast
Mehr Info
Ton- und Bildträger
Grigory Sokolov, The Salzburg Recital, review: ‘truly exceptional’
Listening to Sokolov, you know you’re in the presence of someone extraordinary, says Geoffrey Norris
Mehr Info
Reviews vom 25.1.2015
Amsterdam
Damiano Michieletto gives Il viaggio a Reims a thorough dusting in Amsterdam
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Courageous Helmchen steps in at the Concertgebouw
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Barcelona
BWW Reviews: DiDonato Provides Goosebumps in MARIA STUARDA at Barcelona’s Liceu
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London
Behind the curtain: backstage at La Bohème
Lavish performances are all in a day’s work for English National Opera, but behind the scenes the drama is no less riveting, finds Rupert Christiansen
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New York
BWW Reviews: The Mariinsky’s THE ENCHANTED WANDERER at BAM
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Ladies Night at New York City Ballet
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Young Performers Spreading Their Wings In “Swan Lake,’ Mariinsky Ballet Shows Off a New Generation
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Where’s the fire? Rushed CMS program leaves French cello sonatas short of breadth
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Dallas
Dallas Opera pairs two operas about life and death in the mountains
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Toronto
Dmitri Tcherniakov takes a bold new approach with Mozart’s Don Giovanni
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Feuilleton
The tragedy of Europe’s great forgotten female composer
Vítězslava Kaprálová was on the cusp of greatness when she died of tuberculosis. On the centenary of her birth, John Allison uncovers a tragic love triangle in Vichy France
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Reviews vom 24.1.2015
München
An unconventional Guillaume Tell in Munich has no heroes
http://bachtrack.com/de_DE/review-guillaume-tell-nunes-ettinger-munich-january-2015
Turin
Shades of solitude in Teatro Regio’s new diptych: Goyescas and Suor Angelica
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London
Opera, festivals and a legendary pianist: the Southbank Centre announces 2015-16 programme
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Wagner : Das Rheingold (excerpts) / Rachmaninov : The Miserly Knight / Royal Festival Hall, 21st January 2015
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The root of all evil: Jurowski and the LPO pair Rachmaninov’s Miserly Knight with Wagner’s greedy dwarf
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Glasgow
Inês de Castro, Scottish Opera, Theatre Royal, Glasgow, review: ‘glutinously lush’
This staging of James MacMillan’s Inês de Castro is an unrelieved parade of madness and despair – but it’s impressive, says Rupert Christiansen
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Live Review: Ines de Castro, Theatre Royal, Glasgow
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Inés de Castro review – gory and discomfiting MacMillan
This harrowing story of sexual violence and torture is an uncomfortable watch, but Scottish Opera’s new production of James MacMillan’s first opera features terrific music and a strong cast
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New York
New York City Opera Selects Investor Group to Revive Opera Winning $1.25 Million Bid Backed By Hedge Fund Manager Roy Niederhoffer
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Music Brings Out the Killer Instinct From City Ballet, “Hear the Dance: Russia’
Mehr Infos
San Diego
San Diego Opera begins 50th season
http://www.kusi.com/story/27919575/san-diego-opera-begins-50th-season
Reviews vom 23.1.2015
London
Harry Brunjes to replace Martyn Rose as ENO chairman
Brunjes will remain in the role until a permanent replacement can be found
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Weitere “Andrea Chenier”-Reviews
Andrea Chenier, Royal Opera House – review: An exquisitely realised production
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Andrea Chénier, Royal Opera House, London — review
Jonas Kaufmann’s dark tenor smoulders in this opulent, unashamedly old-fashioned production
http://www.ft.com/cms/s/0/6d170c52-a15e-11e4-8d19-00144feab7de.html
New York
Metropolitan Opera Review 2015 – La Boheme
Kristine Opolais, Jean-Francois Borras, Marina Rebeka & Mariusz Kwiecien Lead Rendition of Puccini’s Masterpiece
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Mirror, Mirror
Mariusz Trelinski Brings “Iolanta’ and “Bluebeard’s Castle’ to the Met
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Philharmonic Outlines 2015-16 Season
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Salonen to assume prominent role with New York Philharmonic through 2018
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Tel Aviv
Opera review: ISRAELI OPERA PUCCINI: LA RONDINE
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Ton- und Bildträger
Tchaikovsky: Iolanta CD review – Netrebko champions little-known opera
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Reviews vom 22.1.2015
London
Andrea Chénier, Royal Opera House, review: ‘powerful’
Only a connoisseurs will go home grumpy from this handsome staging of Giordano’s hoary melodrama, says Rupert Christiansen
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Andrea Chénier, Royal Opera House – opera Review
‘Jonas Kaufmann, with heroic stage presence and voice to match, is an exceptional tenor’
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Andrea Chénier review – it’s hard to imagine Kaufmann bettered
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Andrea Chénier @ Royal Opera House, London
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Andrea Chénier, Royal Opera
An exceptional cast make this revolutionary romance a must-see
http://www.theartsdesk.com/opera/andrea-ch%C3%A9nier-royal-opera
Fate, Falla and fandangos: a London Symphony Orchestra Fiesta
http://bachtrack.com/de_DE/review-xian-zhang-london-symphony-january-2015
New York
Mixing Shades of Gray
Into a Chirpy Comedy and a Mother’s Anguish Lot of Leather in Morningside Opera’s “Pergolesi: Power Games’
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Searching the Subconscious
Recent performances explore the inner psyche, connect pleasure with pain, and reveal the dark past of a religious figure.
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Iván Fischer and the Budapest Festival Orchestra bring Fanny and Felix Mendelssohn to Lincoln Center
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Chicago
Rising conductor Dmitri Jurowski is keeping it in the Family
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Feuilleton
A Ballet Dancer Meets the Demands of Gender-Shifting Roles
At Les Ballets Trockadero de Monte Carlo, a Dancer Tailors His Workout to Perform Both Lifts and En Pointe
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Reviews vom 21.1.2015
Prag
Mefistofele will tempt at the State Opera
http://www.praguepost.com/night-day/43875-mefistofele-will-tempt-at-the-state-opera
Mailand
Grotesque, gritty Die Soldaten at La Scala
http://bachtrack.com/de_DE/review-die-soldaten-metzmacher-la-scala-january-2015
Paris
In Paris, a New Music Hub Hums
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London
World’s first ‘mindfulness opera’ launched, complete with yoga and washing up
The Barbican announces it is to stage the world’s first ‘mindfulness’ opera, with four hours of silence, yoga and washing up
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New York
Susan Graham joins young artists in closing “Song Continues” program
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New York Philharmonic’s impressive Verdi Requiem
http://bachtrack.com/de_DE/review-verdi-requiem-new-york-philharmonic-january-2015
An Age-Old Romantic Introduction,
With Revitalizing Touches Mariinsky Ballet in “Cinderella,’ Under Alexei Ratmansky
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The Mariinsky brings its must-see Swan Lake to BAM
http://bachtrack.com/de_DE/review-swan-lake-mariinsky-bam-new-york-january-2015
Miami
Anonymous donor comes Florida Grand Opera’s rescue
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Los Angeles
An Opera With Sexting? In ¡Figaro! (90210), Mozart Goes to Beverly Hills
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Ton- und Bildträger
Recordings Prove Long-Standing Stature of London’s Royal Opera
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Feuilleton
Sir Simon Rattle at 60: 10 of his best performances
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Reviews vom 20.1.2015
Amsterdam
Blinding beauty in the RCO’s Mahler 3 under Daniele Gatti
http://bachtrack.com/de_DE/review-mahler-gatti-royal-concertgebouw-january-2015
Paris
An Entitled Executive as Mozart
May Have Imagined Him “Don Giovanni’ Revival by the Paris National Opera
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London
Top tenor Kaufmann says ready for Otello, no Siegfried yet
http://www.reuters.com/article/2015/01/16/us-music-britain-kaufmann-idUSKBN0KP11Z20150116
Facing the music: Eva-Maria Westbroek
The soprano tells us about her musical tastes on and off the opera stage
http://www.theguardian.com/music/2015/jan/19/facing-the-music-eva-maria-westbroek
Nachtrag zum „Orfeo”
Monteverdi’s L’Orfeo: Royal Opera at the Roundhouse
Michael Boyd’s Orfeo is a bold mix of formality and rough circus
http://www.classical-music.com/blog/monteverdi-Orfeo-royal-opera-at-the-roundhouse
Lisitsa, Zhang, LSO – Barbican, review: Showy work beats up an admirable storm
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Glasgow
Glasgow Conservatoire gives Le nozze di Figaro a stylish twist
http://bachtrack.com/de_DE/review-figaro-royal-conservatoire-glasgow-january-2015
New York
Interview
Valery Gergiev: “Anyone Can Buy a Ticket’
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Cleveland
The Cleveland Orchestra offers a brilliant 90th birthday tribute to Pierre Boulez
http://bachtrack.com/de_DE/review-boulez-cleveland-welser-most-january-2015
Salt Lake City
Review: Utah Opera’s “Pearl Fishers’ is a treasure worth seeking
http://www.sltrib.com/entertainment/2073575-155/review-utah-operas-pearl-fishers-is
Nachruf
Claude Frank obituary
Masterly pianist and teacher whose playing had a visionary quality
http://www.theguardian.com/music/2015/jan/18/claude-frank
Reviews vom 19.1.2015
London
Monteverdi’s L’Orfeo and Schubert’s Winterreise: Opera Reviews
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Genial Nielsen from the BBC SO and Sakari Oramo
http://bachtrack.com/de_DE/review-nielsen-oramo-colli-bbcso-january-2015
BalletBoyz: Young Men review – far too many sorrowful cradlings
http://www.theguardian.com/stage/2015/jan/18/balletboyz-young-men-review-horrors-of-war
New York
The Merry Widow, the Metropolitan Opera HD Live, review: ‘no wit, no sparkle’
Despite Andrew Davis’s blameless conducting, the live relay of the Met’s production of Lehar’s operetta disappointed
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Protesters Greet Valery Gergiev on First Night of U.S. Tour
http://www.wqxr.org/#!/story/protesters-greet-valery-gergiev-first-night-us-tour/
Listening Back, Listening Forward
http://www.wqxr.org/#!/story/listening-back-listening-forward/
Dallas
Review: Matthew Polenzani
The Dallas Opera | Caruth Auditorium Art Song Rocks!
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Palm Beach
Opera brings beauty, youthful energy to “La Bohème”
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Soprano shines in Palm Beach Opera’s mixed “Boheme”
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Montreal
Bold and eclectic: Nagano commanding in Bartók in Montréal
http://bachtrack.com/de_DE/review-bartok-nagano-montreal-january-2015
Feuilleton
Remembering Geoffrey Parsons: a genius from a bygone Age
This month marks 20 years since the death of Australian pianist and accompanist Geoffrey Parsons.
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Reviews vom 18.1.201e
London
Padmore/Schiff review – startling in its purity of tone
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New York
New York City Opera Suitors Prepare Bids Two Bidders to Square off in Court
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Despite stage mishap, comedy and tragedy touch the heart in Met’s starry “Bohème”
read more
Shaking the Rafters
With the Thundering Chords of a Monumental Requiem New York Philharmonic Performs Verdi’s Requiem
read more
City Ballet’s Fab Five (2015 Edition)
http://www.nytimes.com/2015/01/18/arts/dance/city-ballets-fab-five-2015-edition.html
Chicago
Von Otter and Hewitt offer anticipations of spring in delightful afternoon of song
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Memphis
Stage Review: Opera Memphis delivers inventive staging of Grimm classic “Hansel & Gretel’
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San Francisco
Prototype Festival Gives Opera a Makeover
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Los Angeles
Let’s dance: the Australian Ballet’s LA story
read more
Toronto
Opera singers dish on bad boy
Don Giovanni Sasha Djihanian, Jane Archibald and Jennifer Holloway play the three loves of Don Giovanni, played by Russell Braun, in Canadian Opera Company production opening Jan. 24.
read more
Feuilleton
Can we ever get to the heart of Mozart?
In a new film for the BBC, I go behind and beyond the myths in search of the still-contemporary power and magic of Mozart’s music
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Reviews vom 17.1.2015
Kopenhagen
Opera House celebrating its 10th anniversary
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Paris
Orchestre de Paris, Philharmonie de Paris, review: ‘elegant eclecticism’
The opening concert of the Paris Philharmonie was a glittering display of political grandstanding, says Ivan Hewett
read more
London
LSO/Rattle/Hannigan review – from Stravinsky to St Trinian’s Barbican, London
Simon Rattle marshals an impressive Rite of Spring, while soprano Barbara Hannigan dons school uniform for Ligeti’s Mysteries of the Macabre
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Simon Rattle with Barbara Hannigan & London Symphony Orchestra, Barbican, review: ‘in his element’
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Unvarnished truth: period instrument Mussorgsky from the OAE
http://bachtrack.com/de_DE/review-boris-godunov-leiferkus-oae-jurowski
New York
Irrepressible Passion, Laced With Sadness Sonya Yoncheva Stars in Verdi’s “La Traviata’
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Gergiev, Mariinsky open BAM residency in mixed fashion with meditative Shchedrin
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A Misbehaving Monk Recounts His Sins
“The Enchanted Wanderer,’ by the Mariinsky Theater, at BAM
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Ballet Before Pyrotechnics: Bournonville and the Royal Danish Ballet
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Dallas
New Heggie Opera, Great Scott to Premiere in Dallas
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Sidney
Opera review: Amanda Echalaz’s Tosca lives up to the hype — and then some
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Feuilleton
Opera Singer Deborah Voigt: An Anti-Diva Bares
It All The Singer Offers Backstage Observations and Details About Her Own Struggles
Mehr Info
Reviews vom 16.1.2015
Paris
La Philharmonie de Paris: is this a new musical and social future for Paris?
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London
ENO strongly represented on new International Opera awards shortlist
http://www.theguardian.com/music/2015/jan/14/international-opera-awards-2015-shortlist-eno
Weitere Reviews zum “Orfeo”
Orfeo, Roundhouse, review: ‘serious in intent’
This Royal Opera production boasts an outstanding cast but is too relentlessly sombre, says Rupert Christiansen
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Orfeo (Roundhouse)
The Royal Opera teams up with the Roundhouse for its first-ever staging of Monteverdi’s opera
http://www.whatsonstage.com/london-theatre/reviews/orfeo-roundhouse_36912.html
BalletBoyz: Young Men at Sadler’s Wells Theatre
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New York
Lincoln Center and New York Philharmonic to Collaborate on Operas
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Weitere “Hoffmann”-Review
Tempering His Strut, a Peacock
Soars Without Overpowering Vittorio Grigolo Shows Restraint in “Les Contes d’Hoffmann’
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Les Contes d’Hoffmann, Metropolitan Opera, New York — review
Bartlett Sher’s messy production has been deftly refocused by Gina Lapinski
http://www.ft.com/cms/s/0/b95ab7fe-9bd6-11e4-a6b6-00144feabdc0.html
Toronto
COC announces operas by two Canadian composers
The Canadian Opera Company has picked two Canadian composers for a world premiere this season as well as a new work, it announced Wednesday.
Mehr Info
Feuilleton
Is watching opera in the cinema just as good?
http://www.bbc.com/culture/story/20150114-opera-in-the-cinema-blasphemy
Meet Sonya Yoncheva: Opera’s Brightest New Star
http://www.vogue.com/8142989/sonya-yoncheva-opera-brightest-new-star
Reviews vom 15.1.2015
Paris
A Concert Hall in Paris Aims to Bridge Divides
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London
Orfeo review – there’s a tingling directness which makes it compelling
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Orfeo, Roundhouse – opera Review
The first collaboration between the Royal Opera and the Roundhouse lacks true directorial input, leaving the singers to express emotions largely through the music
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Royal Opera’s Orfeo, Roundhouse: shouts its agenda so loudly the music struggles to be heard
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Andras Schiff, Wigmore Hall, classical review: A revelatory fortepiano Recital
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New York
Met Opera: “Hoffmann’s” Tales Fabulously Staged With a Sterling Cast
http://www.huffingtonpost.com/wilborn-hampton/les-contes-dhoffmann_b_6463528.html
An inspired cast makes trippy magic in Met’s colorful “Hoffmann”
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The eternal optimist: Grigolo’s Hoffmann at The Met is simply spectacular
http://bachtrack.com/de_DE/review-hoffmann-grigolo-metropolitan-opera-january-2015
Opera Review: The Merry Widow Waltzes Into the Met
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Long Beach
Long Beach Opera leader wins national award for opera Trustees
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Sidney
Tosca review (Sydney Opera House)
http://dailyreview.crikey.com.au/tosca-review-sydney-opera-house/17267
BWW Reviews: Opera Australia Proves Puccini’s Tale Of Love and Death
Is Timeless With Their Restaging of TOSCA
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Reviews vom 14.1.2015
Berlin
Pianist Grigorij Sokolow: Mozart wirft die Stelzen weg
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Paris
Klassik an der Autobahn
Am Mittwoch wird Jean Nouvels Philharmonie de Paris eröffnet. Sie liegt in einem Arbeiterbezirk und soll neues Publikum erreichen. Richtig fertig ist das Haus allerdings noch nicht.
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Paris eröffnet die neue Philharmonie
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Mailand
Mysterium: embattled La Verdi buoyed by Rota’s rising star
http://bachtrack.com/de_DE/review-rota-mysterium-grazioli-la-verdi-milan-january-2015
Paris
Philharmonie de Paris: in pictures
http://www.telegraph.co.uk/culture/music/11342471/Philharmonie-de-Paris-in-pictures.html
London
Winterreise, Ian Bostridge, Barbican, review: ‘extraordinary’
Ian Bostridge, accompanied by Thomas Adès, delivered the most riveting – and uncanny – performance of Schubert’s Winterreise, says Ivan Hewett
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Bostridge/Adès: Winterreise review
– narrative mastery with apparent spontaneity
http://www.theguardian.com/music/2015/jan/13/bostridge-ades-winterreise-review-barbican
Ian Bostridge and Thomas Ades, Barbican, classical review: A triumph
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New York
Now Onstage: Steady and Evolving
The George London Foundation Series, Featuring Angela Meade
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Meade and Pallesen make a strong team in London Foundation recital
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Dallas
Dallas Opera’s 2015-16 Season to Feature 2 World Premieres
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Seattle
Things we do for love: A barn-burning “Tosca’ at Seattle Opera
http://seattletimes.com/html/thearts/2025445723_toscareviewseattleoperaxml.html
Los Angeles
L.A. Opera’s Figaro Unbound festival includes music, art and fashion
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Sidney
Sydney Symphony Orchestra performance projected onto Opera House in Vienna salute
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Damaskus
For war-weary Syrians, Damascus Opera brings welcome respite
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Feuilleton
This year’s classical music anniversaries – and some less usual suspects
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Reviews vom 13.1.2015
London
Features 2015 in the Opera House: London
http://www.musicomh.com/classical/features-classical/2015-opera-house-london
Das Paradies und die Peri review –
Rattle and the LSO bring Schumann’s oratorio vividly to life
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Simon Rattle & the London Symphony Orchestra, Barbican, review: ‘missionary zeal’
The London Symphony Chorus were the true vocal heroes of the evening, says John Allison
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New York
Enchanted, Ecstatic Offerings, Plus a Fantastical Opera
“Les Contes d’Hoffmann’ Returns to the Met
http://www.wsj.com/articles/enchanted-ecstatic-offerings-plus-a-fantastical-opera-1421026952
Hooting, Hissing and Ululating to Protest
Man’s Inhumanity Carmina Slovenica Sings the Haunting “Toxic Psalms’
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Of a Feather, but a Flock Apart
Mariinsky Ballerinas Talk About Starring in “Swan Lake’
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Gilbert, Philharmonic warm winter’s chill with trio of Romantic works –
See more at:
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Fort Lauderdale
Curtain may fall on Florida Grand Opera performances in Fort Lauderdale
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Cleveland
Cleveland Orchestra warms a cold winter night with a blazing Daphnis et Chloé
http://bachtrack.com/de_DE/review-daphnis-welser-most-cleveland-january-2015
Los Angeles
Semi-staged Missa solemnis marks Tilson Thomas’ 70th birthday
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Feuilleton
Ice and fire: the classical music scene in Iceland
http://www.theguardian.com/music/musicblog/2015/jan/09/classical-music-scene-in-iceland
Reviews vom 12.1.2015
London
The Royal Danish Ballet: Bournonville Celebration, review
Peacock Theatre: ‘worth the wait’ The Danish company’s first visit to Britain in 10 years shows a little bit of Bournonville goes a long way
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András Schiff: A Schubert & Beethoven Celebration, review, Wigmore Hall: ‘extraordinary and intense’
The virtuoso pianist’s concert seemed like the grail for which all his performances had been searching
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Rafał Blechacz review – technically brilliant, emotionally lacking Wigmore Hall, London
A programme of Mozart, Beethoven and Chopin failed to bring out the best in this award-winning pianist
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New York
On NYC Stages, a Bounty of Latvian Performers 3 Singers
From the Northern European Country Appear in Metropolitan Opera Productions This Season
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Stormy Waters Decide a Family’s Fate “The Scarlet Ibis’ Blends Opera With Puppetry
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Weisman’s “Scarlet Ibis” just misses greatness in world premiere at Prototype Festival
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Vorschau
New York City Ballet Opens 2015 Season
With Ballets By George Balanchine, Jerome Robbins, and Peter Martins
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Reviews vom 11.1.2015
London
The Royal Danish Ballet: Bournonville Celebration, review
Peacock Theatre: ‘worth the wait’ The Danish company’s first visit to Britain in 10 years shows a little bit of Bournonville goes a long way
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András Schiff: A Schubert & Beethoven Celebration, review, Wigmore Hall: ‘extraordinary and intense’
The virtuoso pianist’s concert seemed like the grail for which all his performances had been searching
read more
Rafał Blechacz review – technically brilliant, emotionally lacking Wigmore Hall, London
A programme of Mozart, Beethoven and Chopin failed to bring out the best in this award-winning pianist
read more
New York
On NYC Stages, a Bounty of Latvian Performers 3 Singers
From the Northern European Country Appear in Metropolitan Opera Productions This Season
read more
Stormy Waters Decide a Family’s Fate “The Scarlet Ibis’ Blends Opera With Puppetry
read more
Weisman’s “Scarlet Ibis” just misses greatness in world premiere at Prototype Festival
Mehr Info
Vorschau
New York City Ballet Opens 2015 Season
With Ballets By George Balanchine, Jerome Robbins, and Peter Martins
read more
Salt Lake City
Vorschau: Utah Opera dives into “The Pearl Fishers’
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Feuilleton
Why Beethoven has got cardiologists’ hearts racing
Did Beethoven’s arrhythmia influence his greatest works? Ivan Hewett investigates
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Reviews vom 10.1.201
Zürich
Loud and clear: a fine programme of Chopin and Ravel at the Tonhalle
http://bachtrack.com/de_DE/review-bringuier-zurich-tonhalle-january-2015
London
2015 in the Opera House: Summer Festivals
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Simón Bolívar SO of Venezuela/Dudamel review – where was the verve?
Royal Festival Hall, London Beethoven’s Fifth lacked pathos and the Wagner was short on tension in a programme that seemed misconceived
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Simón Bolívar Symphony Orchestra of Venezuela, Southbank Centre, review: ‘masterly’
Gustavo Dudamel and his orchestra cast their populist image – and recent criticism – aside for a first-rate concert, says Ivan Hewett read more
Dudamel drives the Simón Bolívars to opulence and excess
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Park Lane Group, South Bank Centre, review: ‘an emotional honesty’
Krzysztof Penderecki’s work was only partly well served by this New Year Series concert, says John Allison
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Miami
Florida Grand Opera threatens to end Fort Lauderdale shows unless donors come through http://www.miamiherald.com/entertainment/performing-arts/article5620665.html
San Antonio
Review: Opera San Antonio’s “Salome’ at Tobin Center
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Feuilleton
Ten pieces of music that were once thought impossible to play
Which masterpieces came close to never being performed?
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Reviews vom 9.1.2015
Paris
Distant notes
A grand new concert hall opens in an unfashionable district. Can it become a draw?
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London
Swan Lake, Coliseum, review: ‘a feast for the eyes’
Odette and Siegfried’s chemistry didn’t quite ignite in this expertly executed production, says Mark Monahan
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English National Ballet: Swan Lake review
Cojocaru and Vasiliev create poetry in motion
http://www.theguardian.com/stage/2015/jan/08/english-national-ballet-swan-lake-review
Swan Lake, review: Ivan Vasiliev’s debut as the Prince is explosive
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Brentano Quartet review – a masterclass in eloquence Wigmore Hall, London
This collegial quartet’s varied programme of Mozart, Bartók and Brahms was most gratifying in its more introspective moments
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New York
Cultivating a More Youthful Orchestra
American orchestras and major music institutions are chasing youth with ever more ambitious programs to reach, and teach, the next generation of players
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Tanz
Alvin Ailey Strikes Again With Ronald K. Brown and a Human Ostrich
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San Francisco
S.F. Opera’s new season: ‘Luisa Miller,’ ‘Sweeney Todd,’ ‘Lucia di Lammermoor’
read more
S.F. Opera’s hunt for director sets stage for future
http://www.sfgate.com/music/article/S-F-Opera-s-hunt-for-director-sets-stage-for-6000415.php
Long Beach
Long Beach Opera Opens 2015 Season With Los Angeles Premiere Of Thérèse Raquin
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Toronto
Truro soprano Jane Archibald debuts in Don Giovanni
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Reviews vom 8.1.2015
London
Tom Piper and Orfeo: From poppies to opera
The designer of the Tower of London installation, Tom Piper is glad to be working backstage again, he tells Jessica Duchen
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Garrick Ohlsson review – technically assured, ambitious Scriabin
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New York
Major Miscast: Renée Fleming Makes a Sour “Merry Widow’ at the Met
And Peter Gelb should be mortified to present such homophobic minstrelsy
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Marian Anderson’s Groundbreaking
Met Opera Moment Sixty years ago Wednesday, Anderson became the first African-American soloist to sing at New York’s Metropolitan Opera. She was in her late 50s when she appeared Jan. 7, 1955, in Verdi’s Un ballo en maschera.
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Chicago
Sounds of summer beckon at Grant Park
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Dallas
The Dallas Opera Presents LA WALLY (Act IV) and the World Premiere of EVEREST, 1/30-2/7
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Bangkok
Mozart’s beloved opera shines through international cast
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Ton- und Bildträger
Sony Classical Exclusive Artist Sonya Yoncheva to Release Debut Album ‘Paris, Mon Amour’
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Reviews vom 7.1.2015
Paris
Nouvels Philharmonie für Paris
http://orf.at/stories/2259960/2259980/
London
Park Lane Group, Southbank Centre, review: ‘dense and difficult’
The Park Lane Group is a charity that exists to provide a platform for young performers. Ivan Hewett hoped for more youthful energy and surprise
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Jonas Kaufmann review – grand vocalism and a glorious tone
http://www.theguardian.com/music/2015/jan/06/jonas-kaufmann-wigmore-hall-review
New York
Discounted Tickets: A Test for the Metropolitan Opera
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Review Roundup: Susan Stroman’s THE MERRY WIDOW Opens at the Met
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Chicago
Interview
Anne Sofie von Otter still looking for new musical worlds to conquer
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Seoul
Korea National Opera has new general director
http://www.koreatimes.co.kr/www/news/people/2015/01/178_171202.html
Feuilleton
Tim Ashley’s opera guide: marital hell
In the last of his opera guides, Tim Ashley selects five great works that explore what happens when they didn’t live happily ever after, and shows where to find the best versions online
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Beethoven’s heart and Wagner’s bowels, and why they don’t matter
The trend to draw parallels between the specifics of a composer’s possible medical history and the particularities of his music should come – well, with a musicological health-warning.
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Reviews vom 5.1.2015
London
Don Quixote review – the Royal Ballet’s Spanish party takes a while to get going
http://www.theguardian.com/stage/2015/jan/04/don-quixote-royal-ballet-review
Vorschau
‘Lyre, lyre: Bringing Orfeo’ to the London stage
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Charleston
Spoleto Festival USA Announces 2015 Season: May 22-June 7
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Sidney
La Bohème | Opera Australia
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La Boheme review: Decay and decadence in Puccini’s brilliant panoply of life’s diversit
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BWW Reviews: Opera Australia’s LA BOHÈME Is a Moving and Powerful Interpretation Of This Timeless Stor
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The Magic Flute review: A shorter but still perfectly formed revival casts a spectacular spell
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Feuilleton
Changing of the Guard: Five Prima Ballerinas Reflect on the Biggest Change in the Dance World
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Moscow’s oddest puppet theater: Ambulances, Shakespeare menus and Lilikans
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Reviews vom 4.1.2015
München
An intoxicating L’elisir d’amore in Munich
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London
96 things you shouldn’t miss in 2015
Daring risks, surprising twists and welcome returns – our critics select the cultural highlights of 2015
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New York
The Olden Days, With Nymphs and Trolls Royal Danish Ballet Brings Bournonville Back to New York
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Baltimore
Commentary: The tentative state of opera in Baltimore
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San Antonio
Interview mit Patricia Racette Decadent, Magnificent “Salome’ Comes To San Antonio
http://tpr.org/post/decadent-magnificent-salome-comes-san-antonio
Sidney
‘So childish’: Opera Australia artistic director Lyndon Terracini revokes critics’ tickets over bad Reviews
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Ton- und Bildträger
Brahms From Different Batons Riccardo Chailly and Christian Thielemann’s Opposing Visions
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Feuilleton
10 of the best: long works
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Reviews vom 3.1 2015
Berlin
Beethoven’s Triple Concerto and Sixth Symphony swagger and sparkle in Berlin
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Salerno
A traditional Carmen in Salerno
http://bachtrack.com/de_DE/review-carmen-antonacci-oren-salerno-december-2014
London
Classical and opera highlights of 2015: Bellini, Monteverdi and The Indian Queen
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Opera Britannia’s 2014 roundup
http://operabritanniauk.wordpress.com/2014/12/31/opera-britannias-2014-roundup/
Michael Kennedy, world authority on classical music, dies aged 88
The former Telegraph classical music critic has died aged 88
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New York
Talking (and Talking) About Love Susan Stroman’s “The Merry Widow’ at the Met
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Met Opera: A New ‘Merry Widow’ With Renee Fleming In Widow’s Weeds
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Champagne goes a bit flat in Met’s new “Merry Widow”
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The Merry Widow, Metropolitan Opera, New York — Review
Susan Stroman’s production ramps up the cutesiness to offset the venue’s lack of intimacy http://www.ft.com/intl/cms/s/0/c4119eb8-90f2-11e4-8134-00144feabdc0.html
Gala opening to The Merry Widow at The Metropolitan Opera
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‘The Merry Widow’ starring Renée Fleming, Nathan Gunn and Kelli O’Hara opens at the Metropolitan Opera
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Making Merry With “Widow’ Celebrities Turn Out for Premiere at Metropolitan Opera House http://www.wsj.com/articles/making-merry-with-widow-1420163940
Wilson’s triumphant Met debut lifts a long night in the desert
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Reviews vom 2.1.2015
London Review-Nachzügler zu „Tristan und Isolde“ am ROH
Royal Opera’s Tristan und Isolde: an absurd production – but still a magnificent night
Stephen Gould and Nina Stemme were not ideal but Iain Patterson and Sarah Connolly were
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New York
Rising star Michael Fabiano calls Bonita — and opera stages all over the world — home
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The New York Gilbert & Sullivan Players H.M.S.
Pinafore Silly Fun for Adults and One Small Blond Boy
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Opera Philadelphia composer-in-residence David T. Little is devising a way to make John F. Kennedy sing – operatically, and on the eve of his 1963 assassination in Dallas.
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Seattle
Seattle Opera’s 2015-16 season: world premiere, Wagner, “Nabucco’ …
San Antonio
Operatic Dreams
The founders of Opera San Antonio are passionate about bringing ambitious, full-scale performances back to the Alamo City. Are we ready for it?
http://www.sanantoniomag.com/January-2015/Operatic-Dreams/
Feuilleton
Does anyone have the balls to bring back castrati?
A good castrato today would without question become the richest singer of his time
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Sidney
Dance in 2014: Big budget ballets and international guests dazzle in bumper year
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Reviews vom 1.1.2015
Rimini
The show must go on for Greek soprano after ferry fire
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London
Best of 2014: Dance & Ballet 12 unforgettable events from a rich year
http://www.theartsdesk.com/dance/best-2014-dance-ballet
New York
When Singing Verdi, Perfection Is No Substitute for Passion Stephen Costello and Tamara Wilson Show Opposing Approaches
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Chicago
The highs and lows of classical music in 2014
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Sidney
Classical and opera in 2014: Robertson settles in as operatic highlights come from companies big and tiny
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Feuilleton
How Shostakovich’s The Bolt changed ballet history
Stalin’s brutal state clampdown on anything out of step with the regime changed the course of many lives, including some of the most important figures in ballet
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